{"id":1459,"date":"2019-02-21T13:19:39","date_gmt":"2019-02-21T13:19:39","guid":{"rendered":"http:\/\/ciedesogres.com\/wdp1\/?page_id=1459"},"modified":"2019-02-21T13:19:40","modified_gmt":"2019-02-21T13:19:40","slug":"sebastien-lemarchand","status":"publish","type":"page","link":"https:\/\/ciedesogres.com\/wdp1\/sebastien-lemarchand\/","title":{"rendered":"S\u00e9bastien Lemarchand"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand-1024x1024.jpg\" alt=\"\" class=\"wp-image-1460\" srcset=\"https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand-1024x1024.jpg 1024w, https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand-150x150.jpg 150w, https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand-300x300.jpg 300w, https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand-768x768.jpg 768w, https:\/\/ciedesogres.com\/wdp1\/wp-content\/uploads\/2019\/02\/S\u00e9bastien-Lemarchand.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>N\u00e9 en 1988, il obtient en 2013 une licence d\u2019Arts du spectacle \u00e0 l\u2019universit\u00e9 d\u2019Artois \u00e0 Arras avant d\u2019int\u00e9grer le Th\u00e9\u00e2tre National de Strasbourg en section r\u00e9gie dont il sort dipl\u00f4m\u00e9 en 2016.   <br>Au cours de cette formation il se sp\u00e9cialise dans la cr\u00e9ation lumi\u00e8re <br> et la r\u00e9gie g\u00e9n\u00e9rale et travaille aupr\u00e8s d\u2019Anne Th\u00e9ron, Thomas Joly, Christophe Rauck  et Caroline Guiela Nguyen.  <\/p>\n\n\n\n<p> \u00c0 sa sortie de l\u2019\u00e9cole il signe la cr\u00e9ation lumi\u00e8re de <em>Ogres<\/em> de  Yann Verburgh mis en sc\u00e8ne par Eugen Jebeleanu (2017, Chartreuse de Villeneuve-l\u00e8s-Avignon), <em>L\u2019Espace Furieux<\/em> de Val\u00e8re Novarina mis en sc\u00e8ne par Mathilde Delahaye (2017, Espace des Arts de Chalon-sur-Sa\u00f4ne) et <em>Cabaret dans le ghetto<\/em> de Wladyslaw Szlengel mis en sc\u00e8ne par Justine Wojtiniak (2018, Th\u00e9\u00e2tre de l\u2019\u00c9p\u00e9e de Bois). <\/p>\n\n\n\n<p> En  parall\u00e8le de son activit\u00e9 de cr\u00e9ation il est aussi assistant lumi\u00e8re en cr\u00e9ation puis r\u00e9gisseur lumi\u00e8re en tourn\u00e9e pour <em>Anna Kar\u00e9nine <\/em>de L\u00e9on Tolsto\u00ef mis en sc\u00e8ne par Ga\u00ebtan Vassart (2016), <em>Sa\u00efgon<\/em> mis en sc\u00e8ne par Caroline Guiela Nguyen (2017-2018) et <em>Bluebird<\/em> de Simon Stephens mis en sc\u00e8ne par Claire Devers (2018).<\/p>\n\n\n\n<p>Il continue actuellement les cr\u00e9ations lumi\u00e8res pour Mathilde Delahaye (2018, <em>Maladie ou femmes modernes<\/em> de Elfriede Jelinek), Alexandra Badea (<em>Point de non-retour<\/em>, 2018, <em>La Colline<\/em> et <em>Point de non retour 2<\/em>, 2019, Avignon), Maxime Contrepois (2019, <em>Apr\u00e8s la fin de Denis Kelly<\/em>, Espace des arts de Chalon-sur-Sa\u00f4ne), Nina Villanova (<em>Morphine<\/em>, 2018, Th\u00e9\u00e2tre-Studio d\u2019Alfortville), Christelle <br> Harbonn (<em>\u00c9pouse-moi<\/em>, 2019, La Cri\u00e9e \u00e0 Marseille), Camille Dagen (<em>Bandes<\/em>, 2019, Les plateaux sauvage).<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en 1988, il obtient en 2013 une licence d\u2019Arts du spectacle \u00e0 l\u2019universit\u00e9 d\u2019Artois \u00e0 Arras avant d\u2019int\u00e9grer le Th\u00e9\u00e2tre National de Strasbourg en section r\u00e9gie dont il sort dipl\u00f4m\u00e9 en 2016. Au cours de cette formation il se sp\u00e9cialise dans la cr\u00e9ation lumi\u00e8re et la r\u00e9gie g\u00e9n\u00e9rale et travaille aupr\u00e8s d\u2019Anne Th\u00e9ron, Thomas &hellip; <a href=\"https:\/\/ciedesogres.com\/wdp1\/sebastien-lemarchand\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">S\u00e9bastien Lemarchand<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1459","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/pages\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":1,"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/pages\/1459\/revisions"}],"predecessor-version":[{"id":1461,"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/pages\/1459\/revisions\/1461"}],"wp:attachment":[{"href":"https:\/\/ciedesogres.com\/wdp1\/wp-json\/wp\/v2\/media?parent=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}